Alma Tadema
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Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Charles Blechen
The Ruins of the Septizonium on the Palatine in Rome

ID: 00076

Charles Blechen The Ruins of the Septizonium on the Palatine in Rome
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Charles Blechen The Ruins of the Septizonium on the Palatine in Rome


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Charles Blechen

1789-1840 German Charles Blechen Locations   Related Paintings of Charles Blechen :. | Sunset at Sea | London: the Old Horse Guards and Banqueting Hall, from St James s Park cdc | The Bay of Rapallo | The Ruins of the Septizonium on the Palatine in Rome | Woodland with Brook |
Related Artists:
Arnold Boonen
Arnold van Boonen was a Dutch eminent portrait painter, was born at Dordrecht, in the Dutch Republic in 1669. He was first a scholar of Arnold Verbius, and was later instructed by Godefried Schalken. He painted genre pictures in the style of the latter, representing subjects by candlelight, but met with such encouragement in portrait painting that he devoted himself almost wholly to that branch of art. His style was well adapted to succeed in it. An excellent oolourist, a faithful designer of his model, and highly skilled, he was soon distinguished as one of the ablest artists of his day. He painted a great number of portraits of the most distinguished people of his time, among whom were Peter the Great, the Elector of Mentz, the Landgrave of Hesse-Darmstadt, the Prince and Princess of Orange, the great Duke of Marlborough, and several others. He painted some large pictures for the halls of the different companies at Amsterdam and Dordrecht. He died in 1729. The Dresden Gallery has seven works by him, and the 'Woman Singing' in the Lille Gallery is also attributed to him. His son, Kasper van Boonen, also painted portraits, but in no way proved himself equal to his father.
Monedero, Angel Lizcano
Spanish, 1846-1929
solomon eccles
also known as Solomon Eagle (1618 - 1683) was an English composer. Little if any of his works are extant since, when he became a Quaker, he burned all his books and compositions so as to distance himself from church music. His repugnance for the organised church showed in his name for them: "steeple-houses".






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